Epiphone Triumph 1947

This 1947 Triumph hails from a period when Epiphone had fully recovered from World War II and returned to what it did best: building world-class archtops. The instrument embodies the characteristics that made the Triumph famous: a large, full body, handcrafted details, and a playability that is simultaneously robust and elegant. 

The 2-piece maple back and sides are typical of Epiphone's approach during this period: a tonewood that brings clarity and directness to the tone without sacrificing warmth. The Sitka spruce top and 5-piece cherry/mahogany/maple neck showcase Epiphone's craftsmanship with materials; this combination produces a tone that is fuller than you would expect from a maple guitar. The V-shaped neck with Mother of Pearl notched diamond inlays, the Frequensator tailpiece, and the adjustable rosewood bridge give this instrument its classic elegance. The Epiphone enclosed tuners with marbeloid buttons ensure reliable tuning. 

This Triumph has two repaired cracks on the top and some lacquer repairs on the back of the neck, normal wear for a 78-year-old guitar that has clearly been played extensively. The instrument is otherwise in very good condition. According to a repair receipt from Chellee Guitars in Orange City, Florida, the guitar previously belonged to Russell Roeth of New Smyrna Beach. The Dutch Archtop Museum acquired the instrument in July 2010 through Tony Mier Antiques in DeLand, Florida. This is a Triumph with real history and playing character.